PM: How did you start a career as an artist

YB: Started in Port Pirie

YB: One of the yougest people accepted

YB: Studied printmaking

PM: Where the images come from

YB: Always do to with immediate environment

YB: Work directly from sketches

YB: Come from the environment

PM: Why particular things

YB: An urban person

PM: Sense of displacement

YB: Continually move around

YB: Voyage to Australia

YB: New places means new pathways

PM: A stranger and alone

YB: Writen language and symbols

YB: Paris and Korea

YB: Forging new pathways

PM: Enjoying strangeness

YB: Liking the uncomfortable

PM: In Paris 1992 to 1995

YB: Focus and organisation

YB: CHildren and art

YB: Small work but large quantity

YB: Eliminating and refining

YB: Children focus work

PM: Tokyo 1997 to 1998

YB: Isolation in Tokyo

YB: Maki Gallery

YB: Papering the appartment

YB: Underground in the subway

YB: Hiroshige Hundred Views of Tokyo

YB: Simplifying the images

PM: Work outside the studio

YB: Sketches as the starting point

PM: What about displacement

YB: Going to Lockhart River

YB: Helping with printmaking

YB: The biggest shock

YB: The Lockhart theme

PM: Korea and Seoul

YB: First visit to Korea in 1993

YB: The Asialink Studio in Korea

YB: Traditional Korean way

YB: Many visits to Korea

PM: Cultural influences

YB: A familiarity with Korea

YB: I'm most comfortable in Korea